Afterness: Figures of Following in Modern Thought and by Gerhard Richter PDF

By Gerhard Richter

ISBN-10: 0231157703

ISBN-13: 9780231157704

Gerhard Richter's groundbreaking research argues that the concept that of "afterness" is vital to knowing the concept and aesthetics of modernity. He pursues such questions as what it skill for whatever to "follow" anything else and no matter if that which follows marks a transparent holiday with what comes prior to. Or does that which follows tacitly perpetuate its predecessor as a result of its indebtedness to the phrases and stipulations of that from which it claims to have departed? certainly, Richter asks, isn't the very act of breaking with, after which following upon, a manner of retroactively developing and fortifying that from which the holiday that set the stream of following into movement had happened?

Richter explores the idea that and stream of afterness as a privileged but uncanny class via shut readings of Immanuel Kant, Franz Kafka, Martin Heidegger, Ernst Bloch, Walter Benjamin, Bertold Brecht, Theodor W. Adorno, Hannah Arendt, Jean-François Lyotard, and Jacques Derrida. via his paintings, the vexed thoughts of afterness, following, and coming after remove darkness from a constellation of contemporary preoccupations, together with own and cultural reminiscence, translation, images, desire, and the old and conceptual specificity of what has been termed "after Auschwitz." Richter's a number of threads of analysis—which go an expansive choice of smooth writers and thinkers, diversified historic moments of articulation, and a number of media-richly increase Lyotard's incontrovertible assertion that "after philosophy comes philosophy. however it has been altered through the 'after.'" As this difficult inquiry demonstrates, a lot hinges on our interpretation of the "after," for our such a lot primary assumptions bearing on sleek aesthetic illustration, conceptual discourse, neighborhood, subjectivity, and politics are at stake.

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Afterness: Figures of Following in Modern Thought and Aesthetics (Columbia Themes in Philosophy, Social Criticism, and the Arts) by Gerhard Richter


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